Shared practice space for local musicians to celebrate grand opening on June 27 in Old Town

Arliss Nancy courtesy Craig Okraska of Chromatic

Arliss Nancy courtesy Craig Okraska of Chromatic

Fort Collins, Colo., June 9, 2015 — After two and a half years of planning, preparation and construction, Cohere Bandwidth announced today that it will open its doors on Saturday, June 27 for musicians looking for rehearsal space. Two fully backlined practice rooms featuring high-quality gear, secure access and state-of-the-art sound mitigation are available for bands to book online at starting today. Located at 317 Jefferson St. in downtown Fort Collins, Cohere Bandwidth is housed in the same building as The Downtown Artery’s new music venue, also scheduled to open June 27.

“While the entire process has been lengthy, the result is completely worth it,” said Cohere Bandwidth owner Angel Kwiatkowski. “The location couldn’t be more perfect. We’ve been able to construct this safe, comfortable, convenient workspace for musicians in the heart of Old Town Fort Collins, and it’s housed within the artistic ecosystem and creative community that’s blossoming at The Downtown Artery. The entire building is filled with people helping, inspiring and collaborating with one another, and the possibilities inherent in that are endless.”

Cohere Bandwidth offers plug-and-play hourly practice space for local and touring musicians, and was designed after extensive research and input gathered from several Colorado bands. Hourly rehearsal rates are set at $20, but a limited number of monthly memberships are also available at $145 for 8 hours of rehearsal time. Members of Cohere Bandwidth are also eligible for discounts and freebies from local merchants, including food, beer, gear, professional creative services, clothing, and more. Members also get advance priority access to booking, so they can choose and reserve regular rehearsal times in the Cohere Bandwidth schedule.


Kwiatkowski, who owns and operates Cohere Community (shared office space for independent creative professionals and remote workers), was motivated to create shared rehearsal space for musicians after hearing the story of local bands Fierce Bad Rabbit and Wire Faces having their practice space robbed.

“I was pretty horrified at the story, not just of the robbery, but of the conditions musicians typically work in,” she said. “The more I learned about what bands need in a practice space, the more parallels I saw between the coworking community and the music community. Why should our artists be forced to work in substandard conditions? They’re business owners, too, and deserve a workplace designed to suit their needs.”

To make sure the space continues to be inspired and guided by the musicians it serves, Kwiatkowski hired drummer Shane Zweygardt of Wire Faces as Cohere Bandwidth’s General Manager.

shane incognito

“It feels good to know that one of the musicians that was the catalyst for this whole project is now helping to run the rehearsal space,” Kwiatkowski said. “Shane is one of the most respected artists in the community and his input has been invaluable as we build the space.” Zweygardt was formerly a long-time employee of Colorado Drum and Percussion, the now-defunct local music store that was once in the building Cohere Bandwidth occupies.


Cohere Bandwidth will host a private party for friends and family on Friday, June 26, but has purposely scheduled the public opening of the practice spaces to coincide with the Downtown Artery’s venue grand opening, to demonstrate the synergy and camaraderie between the two businesses. “They’re the best neighbors we could ask for and we can’t wait to celebrate with them,” Kwiatkowski said.

Cohere Bandwidth offers 24/7 access via unique door key codes. Online booking for June 27 and dates beyond is available immediately. Bands can register online at and purchase hourly rehearsal time or monthly membership as needed.

The Downtown Artery venue grand opening on June 27 features Denver bands Itchy-O, Super Bummer and Panther Martin, along with Fort Collins favorites Stella Luce.


Cohere Bandwidth and Cohere Community

MEDIA CONTACT: Angel Kwiatkowski

(970) 219-4061

317 Jefferson St., Fort Collins, CO 80524


For more information about The Downtown Artery, please contact:
William Knudsen, Director of Marketing and Development – (970) 682-2668

252 Linden St., Fort Collins, CO 80524

New Program Helps Local Artists Become Successful Entrepreneurs

street musicians

“The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.” ― Kurt Vonnegut, A Man Without a Country

This is a favorite quote among my friends who pursued liberal arts degrees. It speaks to both the dream and reality of trying to build a career around creative talents. AKA it’s damn hard.

Google “least valuable college majors” and you’ll see a laundry list of arts degrees: creative writing, film, philosophy, photography and especially music.

What’s always funny to me about these lists is that they assume a salary is the only way to judge value. Books, movies, visual art, and especially music bring immeasurable joy to our lives. Without them we could never be transported to distant imaginary lands, feel the pain of another person’s suffering, or know what it’s like to have a one-person dance party while sitting at a stop light. WE NEED ART, which means we need artists who aren’t living in a van down by the river.

One problem with the current arts education system is that it lacks a business aspect. Few if any art students start their senior year with the knowledge they need to successful seek, find, communicate with, and supply a paying audience. They’re afraid, or worse, completely oblivious to the business world, unaware of how to be both the artist and CEO. Likewise, business people assume artists are flakes and vagabonds, and so are hesitant to invest money into art-based ventures.

Well artists, it’s time to put up or shut up. Arts Incubator of the Rockies just launched a comprehensive new series of workshops and seminars that are designed to connect artists to the business training they need and business people to the artistic ventures that Colorado craves.

If you’re a local band that’s looking for a way to turn that demo tape into a record contract, a painter looking to show your work in galleries where people will actually buy it, or a crafter whose friends have been saying “you should really sell these” for years, this is one educational series you can’t afford to miss.

AIR Shift Workshop: A 3 day learning event that will teach you how to change your thinking about art, value and community, help you develop your business pitch, and connect you with the diverse community of artists and art lovers that can help make your dream a reality. Learn more about dates, topics, and prices.

AIR Evolve Program: After you’ve taken the Shift Workshop, the next step is to put what you’ve got on paper into practice. Yes, drummers and bass players, this means developing a business plan. Yes, writers and painters, this means learning how to model and track your finances. At the end of this six month program, you’ll find yourself pitching your creative venture to a panel of local business people. Learn more about dates, topics, and prices. 

Image via drgonzo/Flickr

Cohere Bandwidth: Briefly Losing Our Way-Except For Ian Who Gave Us the Map We Dropped

weiner dog in a bun

By Angel

Read all the Cohere Bandwidth updates here.

My day to day life in modern housewifery is often painfully boring and filled with tedious hours over a high chair or reading the same 4 books over and over again so when we brainstormed the idea of the “Tune Truck/Breaking Band” portable RV/sound studio I got really excited as a solution for shared rehearsal space in Fort Collins. Too excited it turns out. After a brief marination period, Ian sent Julie and I the following email:
So after our meeting last Friday, I felt inspired and excited about the idea of the Tune Truck.  A few hours later I began feeling like this, in itself, is almost a completely separate business idea and am wondering the following:

  • How much is it going to cost to do this properly? (Alot)
  • How are we going to receive a return on this investment and what parameters are we measuring? Probably not $$, perhaps awareness. Is it worth it?
  • Who is going to operate it and how much will that cost? (Both for a driver and an audio engineer)
  • What musicians are going to actually feel comfortable enough to use it?  I know many musicians prepare for weeks or months before they record, and the likelihood of finding enough people on the street to record on the spot seems fairly slim.  Not to mention, the recording process for many of us is a somewhat private (and revealing) endeavor.
  • Other costs to consider: Insurance, gas, a computer, mics, cables, sound baffling, a power supply that does not create noise, security, instruments, monitors(speakers) or headphones etc…

So I’ll elaborate on what I meant about a separate business idea. If we were to retrofit an RV and turn it into a recording studio, then drive it to peoples houses and charge them to record in it – that would seem like a potentially “sound” investment.  Just my humble opinion, but if we were to raise money for something, perhaps that money should go toward the actual space for the following reasons:

  • We know we can charge people
  • All of our research is based off of that idea (not on musician acceptance to on-the-spot-recording/collaboration)
  • We could probably use all of the money we can get.  Although, I doubt we can ask for a grant from the city to start a business… I am sure you two know all about this.

OK, sorry for the lengthy email but I wanted to express my concerns in order to be transparent. If I am being a wiener about this, please tell me to shut up and I’ll move forward.  I feel that having a “collaborative space” within our rehearsal space building would potentially be both easier and much cheaper but also comes with some concerns.  I know this is my fault because I lit the fuze on this collaborative recording idea, so sorry for the wishywashiness.

To which we replied to him, “thank GAWD we have you and no, you are not a weiner.” It’s nice to know we have a more linear thinker AND a musician on our team who can bring Julie and I back from the clouds–where we often find ourselves due to our tendency to “ideate all over people” and ya know, “store documents and stuff up there.”

During a mini-coworking reunion last night Julie and I met to get the idea pendulum swinging back the other direction and member Kevin suggested we keep the location of Cohere Bandwidth a secret in order to gain maximum security. We thought this was clever so we are keeping that as a feasible idea for when we finally DO get a location–which we don’t have yet–which has been very confusing for people. We DON’T have a location for Cohere Bandwidth yet. Stay tuned, though we might not tell you where it’s located.


Cohere Bandwidth: Field Research Notes with Wire Faces

 Field notes

By Julie

So. We met with the musicians. We conducted two focus groups. We consumed approximately 7 pizzas, collectively (and fewer beers than you might imagine in a band session – serious business was afoot). We listened. We wrote on some giant sticky notes. We asked a lot of questions. In the end, it all boiled down to one more question: now what?

Well. Having heard from the musicians about what a successful rehearsal space would look like to them, we did our best to use our imaginations (that was fun!) and dream about what *could* be . But we needed to know more. We needed to SEE what they were dealing with NOW. Angel and I figured there was only one logical next step for us, and so … for the first time since we were teenage first-chair woodwind superstars: we were headed to band practice.

Luckily, our trusty colleague Ian is in a band . We asked him if he would mind if we visited during their next practice – after all, they’re used to the media  being all up in their (Wire) Faces. He said yes.

Wire Faces pic

Now keep in mind that Wire Faces is among the many bands in Fort Collins currently without a permanent rehearsal space to call home. Their story, while a little more blatantly terrible than most (they moved out of their last practice space last winter after having ALL their equipment stolen) is unfortunately not that unusual. They’re currently shuffling their stuff between two makeshift practice spaces: the back of the store where their drummer (Shane) works, and (Menyus) their bass player’s living room.

The store owner had to use his space this particular evening, so we got to experience a living room rehearsal. Angel picked me up (me: “fun, this feels like high school!” her: “I know, I wondered what I should wear, but then I remembered, I’m married – it doesn’t matter.”). When we pulled up to the house we knew which one it was because, well, we could hear the music — a common concern for ALL the musicians who talked to us about home practice spaces. “Sometimes our drummer doesn’t even want to practice at all, because he’s afraid he’ll piss the neighbors off,” one of the focus group musicians told us. Oddly, because Menyus lives on a fairly busy street, the noise level from outside the house is not as bad as it could be – the traffic provides a natural sound buffer for passersby. Still, the band let the neighbors know that they’d be practicing tonight (“no problem”, they were told; but, Shane says, “we don’t do this very often”). When they practice in the back of the store, they use headphones, both for recording purposes and because “there are people around – we don’t want to draw a lot of attention to ourselves.”

What we were treated to, mind you, was super-stripped down Wire Faces, with Ian and Shane using about half their equipment (Shane is minus a floor tom and all his cymbals and has no vocal microphone, or even his regular drum sticks; Ian’s using a little battery powered amp and is missing all his effects pedals. Menyus is fully equipped because it’s his living room and his stuff lives here, too). Still — Angel and I leave the house after an hour or so feeling just a little bit deaf.

Wire Faces video rehearsal

The band was gracious enough to allow us to observe, and live tweet (#coherebw) and blog from their practice and take photos and shoot video and they still managed to keep some semblance of normalcy, from what we can tell.

What we learned (or had reinforced):

  • Musicians are incredibly adaptable. Shane, for example, kept pausing between songs to fortify a “drumstick” he had fashioned out of packing tape, for sound dampening purposes
  • Coworking (with freelancers) and – as a friend called it – “coplaying” (with musicians) share some striking similarities. Intervals of introspection interspersed with conversation within the group are evident in their work process. A moment was taken to stop and nerd out a little about software (in this case, the benefits of Logic  vs. Pro Tools). And a fiercely independent sensibility – how you can learn to make something on your own and figure things out and iterate and create and try again over and over, because you’re a little obsessed about it? Reeealll familiar territory.
  • Sound and all its nuances: super important. Power – also important. Security and accessibility? Yes, please. Trust remains the watchword as we continue down this path with the bands.

So, still: now what? We think we’d like to observe a few more band practices in different spaces as nothing really beats getting a window into how musicians work and what they need (also: about halfway through, Angel realized an added benefit – we were essentially at a VIP private concert; Menyus even offered us snacks!) We’re going to continue the process of putting the people before the place[js8] . And we’re going to allow things to unfold a little more, because Angel says this feels just like what happened with the creation of Cohere. Sometimes you have to get comfortable in the fog. Because, counter-intuitive as it is, everybody knows that when you get scared and turn the brights on, you only impair your visibility.

One final note from Julie: I tried to write this in a fairly objective and clinical way because, hey, we’re analyzing. But I can say that watching these guys just cope with conditions is both profoundly inspiring and rather distressing. The band says – and I’m sure it’s true – that the constraints motivate them to get creative. I felt a little like I was bearing witness to the unbouncing of Tigger. Ugh. That feeling makes me want to work even harder to make something awesome, though, so … perhaps they have a point.

Image Credit

Cohere Bandwidth: What’s Trust Got to Do With it?


I asked Ian to write us a blog post on trust this week because we feel the topic is critical to our process/progress with Cohere Bandwidth and the larger Fort Collins music community. Nothing frustrates me more than a newb bursting on to the scene and then wondering why no one wants to hang out in their “awesome new thing.” Trust has been abused so often by theft in all its forms that we’re finding it takes awhile to gain a musician’s trust and when we do we’ll guard it closely—much like we will your equipment when we finally get our space!

By Ian Haygood

Song: Truth by Alexander Ebert

“You Can’t Shake Hands With A Clenched Fist”

So said the late Indira Gandhi, third Prime Minister of India.   Her words resonate for me specifically because of my experiences as a musician.  Typically, trust is not at the forefront of a musician’s mind during the preliminary stages of creative collaboration.  Instead, the quest to concoct a unique, compelling mix of creativity and talent acts as a catalyst for progress.  Subsequently, many of us get burned.  More often than not, young musicians are very trusting, even naïve at times; especially when it comes to things like contracts or parking the van on the wrong street.   This mindset can act as a “blinder” from a variety of threats: both internal and external.  On the other hand, more experienced, touring musicians have had enough negative experiences to fuel a sense of distrust.  Many of us have been ripped off by a club owner, some of us have been robbed by even our closest friends or bandmates, and don’t get me started on what I like to call interband copulation.


So why do we keep putting ourselves in these potentially vulnerable situations? I am sure it is partially due to our innate love of “the ride”, but mostly we are searching for truth.  That is why I have chosen Truth by Alexander to accompany this post.  It is very difficult to shake our past experiences, for they have become an integral part of our personalities.  Although this is somewhat inevitable, we continue to search for truth in each other, in words, in the past, present and future. Music, to some of us, is the only truth.  Which is why we feel we’ve found it while we are creating it.   At this point everything else becomes secondary or tertiary. However, trust is the foundation of relationships and therefore the foundation of a band’s success (not everyone can get by with a Pete Doherty in the band).  Moreover, a band’s success is dependent on the support of said band’s local community.  If you don’t think so, I am afraid you may be mistaken.  Even the Beatles needed it.  As the great Cesar Chavez once said, “We cannot seek achievement for ourselves and forget about progress and prosperity for our community…Our ambitions must be broad enough to include the aspirations and needs of others, for their sakes and for our own.”


Unfortunately, we cannot predict if someone is untrustworthy, we can only surmise a group or individual’s intentions based on shared experience, hearsay or “gut feel”.   This process is done on an individual level.  So you tell us. How do you know you can trust someone?  How can you know someone is trustworthy until you trust him or her first?  How do we progress as individuals and as a community without trust?

image credit

Cohere Bandwidth: What IS or What COULD Be?

Thank you card CB

It’s hard to pick a song of the week when you don’t have audio on your computer! I picked this song by Post Paradise purely off of the title, lyrics and this line in particular, “If I’ve got strings and I’ve got friends then I’ve got means to all my ends.” <—that pretty much sums up how we feel about Cohere Bandwidth. We’ll continue to collect people and ideas (and maybe some instruments) until it becomes clear what we should do.

We STILL haven’t been able to do a detailed analysis of the focus group info partially owing to the fact that we just completed one last night at the horrifyingly (to me) late hour of 9pm. What we do have is these awesome thank you cards that the musicians signed for all of our pizza  sponsors. We also found out that Krazy Karl’s has AMAZE-BALLS pizza for a great price. After buying 8 large pizzas and 2 cinnamon breads we still have some sponsor money leftover for our next social event; a “Photo Band Reunion” where we all bring a picture of ourselves from band in Jr. High or High School. Braces anyone? Stay tuned for that.

I would also like to share an excerpt from an email that we wrote to help clarify our direction. We got a little lost in our first focus group and got too focused on WHAT IS rather than what COULD BE regarding shared space for musicians.

—Cohere Bandwidth’s process is more in depth and our vision is larger than a simple shared rehearsal space where you pay to play. We’ll be gathering people and ideas together, dreaming big and building passion BEFORE we look for space. This process could take months and that’s okay because the end result will be mind-blowing (we hope!).
We ask for your patience as we will put in the majority of our effort into gathering your thoughts, ideas and opinions before we find that useful container that is a physical space. We promise that this time consuming and extensive process will be worth it.—

Cohere Bandwidth: Forgot to Focus


We’re overwhelmed with the amount of info we gathered at our first focus group for Cohere Bandwidth Shared Rehearsal Space so we need a little bit of time to process and condense that for you.

We got so excited about the first focus group last night that we all forgot about the “to-do” to take photos. Whoopsies. Luckily Julie has footage of almost everyone so please enjoy these photos of some of our awesome local musicians who attended.


Nick Duarte of Post Paradise Photo credit: On The Fly Photography

Better Than Bacon

James Yearling and Mike Desantis of Better Than Bacon Photo credit: Chris Surface

Ian Meynaus

Ian Haygood and Menyus Borocz of Wire Faces Photo Credit: Summit Studios

We’re sad that we don’t have photos of Mike Sherry, bass player and Mikus, bass player for 20×111 but 20X111’s song is above for your listening pleasure.

Read all of the Cohere Bandwidth updates here.

We have another focus group on Wednesday, May 8th from 7p-9p. If you want to join us email Ian now. Free pizza and beer!



Cohere Bandwidth: Survey Results for Shared Rehearsal Space

Will Work For Bandwidth

Read all of the past Cohere Bandwidth updates here.

The survey is closed and we had a great response from the community. I’m going to channel my inner grad-student and go all scholarly on you. Hang on to your vintage hats.

ONE BILLION people were asked to complete a survey about their current conditions and preferences for potential shared rehearsal space in Fort Collins, Colorado. Responses were requested via email, Facebook and Twitter. We requested that respondents be “in a band” or “a musician” in Fort Collins, Colorado.

The goal of the survey was to find out the current reality for musicians and their rehearsal spaces including satisfaction and cost. We also wanted to gather preliminary data on importance of common rehearsal space amenities, location and to find people to participate in focus groups.

63 musicians completed the online survey. Click on any of the graphs to see larger images.

The average age of those who took the survey was 32 years. The youngest was 18, the oldest; 52.

Surprisingly, the majority of respondents are satisfied or very satisfied (32 total) with their current rehearsal space. Based on our initial talks with band members, we assumed that there would be FAR more unsatisfied rehearse-ers. 20 respondents were dissatisfied or very dissatisfied with their current space.

How Satisfied

We also really need to know how much people are paying for their rehearsal space. The vast majority pay NOTHING. We assume that this means they are rehearsing at home. <—-this sounds familiar. Freelancers, anyone? A shortcoming of our research is that we can’t correlate satisfaction with how much they pay. Right now we assume that those who pay the most are the most satisfied but this is an excellent focus group topic to find out more.

Per month fee for space
We never want to assume that people want to share. Especially when thousands of dollars of band equipment is in the equation. So we asked. To our delight, 78% of the musicians we surveyed are willing to share. Sharing FTW.

Would you share
It’s often not terribly important to get hung up on physical amenities this early in the process BUT with the recent thefts of band equipment we knew we needed to at least ask about security. We also heard that many people rehearse without a bathroom (yikes), heat (brrrr) or soundproofing (sorry neighbors). We researched a bunch of other shared rehearsal spaces online and tossed in some of their common amenities (vending machines) just to see what would happen.

Security, clean electrical, cost and locked storage won. Vending machines failed miserably as did discounts to business services and having an included PA in the space. We’ll dig more in to these things in the focus groups.

It was important to communicate how different the price of real estate is in different parts of our town. We indicated this in our survey by using dollar signs. The Mulberry/Industrial area is the most affordable and this got the majority of responses followed by the Old Town as the most expensive area. This leads me to believe that we might have two very different groups of musicians in our group. It will be important to delve further in to this topic at the focus groups.



Conclusion: we are stoked. The focus groups are set up and Ian is taking RSVPs from those survey respondents who expressed interest. BTW, 60% of people who took the survey gave us their email addresses which we think is very, very neat.

Read all of the Cohere Bandwidth updates here.

And another shout out to our awesome and generous focus group pizza sponsors. Visit their websites today. Did I mention that they are all Independent business owners in our town? Yeah. They’re cool like that. Oh, they are ALL either current or alumni members of Cohere. How fucking sweet is that?!

Amanda Miller, The Place Setting Company

Molly Hoff, The Freelance Bean Counter

Carson Block, Consultant and Edgewater Juke

image credits: Angel Kwiatkowski



Cohere Bandwidth: Focusing in Fort Collins

Focus Groups

Things have slowed down a bit this week as we closed the survey with over 60 responses and planned the dates for the focus groups. We had a great response to our call for donations and would like to give a ceremonial VIP ALL ACCESS PASS to the following music friends:

Amanda Miller, The Place Setting Company

Molly Hoff, The Freelance Bean Counter

Carson Block, Consultant and Edgewater Juke

Focus Groups are being held:

  • May 2nd at 4:00pm
  • May 8th at 7:00pm

We will be providing free beer and free pizza for all attendees thanks to the above sponsors!  Please feel free to email me with any questions you may have and let me know which of these two dates works best for you.  PLEASE RSVP to Ian by April 17th.

And now I will leave you with this largely uninformational yet fun chat that Julie and I had about thigh highs, sea horses and break-away mom jeans as well as a small joke at Ian’s expense which only he will get…

me: I am stir crazy/snowed in.
8:09 PM Julie: Don’t go all The Shining on your baby
 me: I think the husband  sensed something and came home early from work today so everyone is alive and the axes have been locked away.
 Julie: Excellent.
  I have been out more than I wanted to be. I’m on my third pair of wool socks.
8:10 PM me: yowza  they last longer if you wear shoes.
 Julie: I thought I might have to kill someone while dragging the trash cans to the “curb”.
  All the snow comes in through your boot tops when it’s up to your thighs.
8:11 PM BUT. I’m home now. Still working but in warm sweatpants
 me: In this case, thigh-high isn’t as sexy as it should be.
 Julie: Srsly
  So. I think we need to set a time to think about focus group questions but I can’t remember whether we have or when or what or who
  I need FOCUS so bad it hurts
8:12 PM me: we haven’t
  I think I need to analyze before that happens. I’m way behind due to the nanny not coming in today.
 Julie: OH, right. Anal.Ysis.
  But, you can’t analyze until survey closes which is … Friday?
8:13 PM me: I believe so. I analyze next week. It won’t be hard at all to come up with focus group questions. I HAVE actually done this part before!
 Julie: Oh, thank Gawd. I keep forgetting that it’s not your first rodeo. Just mine.
  And I hate horses, did I ever tell you that?
me: we need a metaphor for us two.
8:14 PM I’m blind, you’re in wet socks? I got nothing.
 Julie: Hmmm.
  I’m sure there is something.
8:15 PM me: How can you hate horses? What about sea horses?
 Julie: I LOVE sea horses. ALOT.
  Actual horses are large and high-strung and bug me
  In metaphor land: if this were a band, I feel I would be the tambourine player.
8:16 PM Largely decorative, with no real purpose, but enthusiastic and hopefully, someone that inspires the crowd to clap along or something
  You and Ian are the actual experts
8:17 PM Julie: Cowbell requires far more confidence
me: At best, I feel like the guy in a wrestling match who does the LET”S GET READY TO RUMBBBBBBBBBBLLLLLLLEEEEEEE thing.
  and then steps back to safety while shit gets real.
8:18 PM Julie: Except: you also spring off the ropes back into the ring when you remember that you really DO know the things
8:19 PM me: I would like to be wearing some sort of breakaway pants in our metaphor. Maybe I pull off my mom jeans and underneath are skinny black pants or something.
 Julie: THAT. just made me laugh out loud
  Like the pants that are so skinny the get stuck on your calf if you itch your leg?
  (that was hilarious)<—-joke
8:20 PM me: OMG, yes. OMG. YES.
 Julie: These are the dangers of cool.
8:21 PM That’s why I go back to the tambourine. I’m pretty sure that just requires a twirly skirt, maybe some clogs
 me: clogs that squeak? check.
 Julie: I love this zany chat; it’s just what I needed.
Julie: Got it. Will do!
8:37 PM me: Nighty night!
  Can I be the wolf tonight? Warmer fur?
 Julie: Of course. I’ll be Michele Pfeiffer. No fur or fat. Sounds neat

image credit

Cohere Bandwidth: Shared Rehearsal Space for Musicians–Or Not


I’m not even sure where to begin with this post. So I’ll just dive right in and hope that you can hang on to me as I plummet in to the depths of this announcement.

I’ve been dabbling with the idea of opening another Cohere location for over a year. We started and stopped, almost found what we needed and then my gut told me to bail late last year. It was a painful thing to let go but I knew I should wait for the next great idea to “pop.”

Last December, this POPPED.

Naturally, I would stay awake at night tossing this story around in my head-alternating between the excitement of feeling that I could contribute to the problem (lack of safe shared rehearsal space) and terror (lack of ANY knowledge of the local band scene).

Luckily, one of Cohere’s tenured members and one of my dearest friends Julie Sutter happens to know EVERYTHING about the local band scene and she GETS coworking and ME <

I broke the news to her over a pancake breakfast that I wanted to work on shared rehearsal space. She was instantly on her phone texting her music friends and getting traction for the idea. I hadn’t even swallowed my bite of food.

I’ll stop to interject that Julie has been involved with Spokesbuzz since it started helping local bands get national attention and Spokesbuzz just happens to have their world headquarters at Cohere.

The above announcement is all fine and well. New coworking spaces and their communities get announced like every 2.4 seconds these days. Nothing really fancy there. What IS fancy is that I’m going to tell you EVERYTHING about the process of building a new community AS IT HAPPENS. Yes, Beth and I wrote a couple of coworking ebooks for you about starting coworking communities but that was done AFTER we had gone through it. It’s one thing to remember how you did it and edit it down and make it consumable. It’s another thing to bring you along on the journey in real time where you can really see how complex and often joyous and painful it can be. The number one question people always ask us veterans of the coworking scene is, “how do you create community?” Well, my dear ones, watch for these blog posts to come on Fridays. Not every Friday mind you, I’m not a superhero. I’ll tell you pretty much everything that happened each week or two that will move us closer to or further away from our goal of creating a shared space and community for musicians in Fort Collins.

I say “closer to or further away from our goal” because there are 7 gabillion variables and my gut intuition that will let us know if we’re on the right path or if Cohere Bandwidth will never come to fruition. The fun part is the process. I hope you’ll join us no matter the outcome and learn something along the way.

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